When Men Lose Their Place, Society Pays the Price

Given SHINGANGE

I arrived unannounced, as I often do. I took the street that passes the local shops ko Ramadan as we call them, partly out of habit, partly out of instinct. Some part of me suspected I might find him there. My father is one of those people who collect the different purses of those playing mochina. And there he was.

The street was alive with movement. Men and women standing and sitting in clusters, some by their usual spot there by the guy who fixes shoes. Conversations layered on top of each other. Waiting. Hoping. Calculating. Mochina is more than gambling. It is a ritual. Numbers are not random. They are stories. They represent events, dreams, memories, and losses. You read the morning, interpret life, and choose a number. You put money down not just on chance, but on meaning.

There was a time when mochina was played by old people in the community, and now, when I go there, I see that there are a lot of young people, I hasten to say young people, though, because maybe when I was young, the old people I am referring to were my age. Anyway, this spot in my community is busy, with a bottle store at the corner, a foreign-owned shop, which is why it is called Ramadan, and a spot where alcohol purchased from the liquor shop can be consumed. There is also Laphalapha, where they sell sphatlhos/kotas. Next to Laphalapha, there is a barber shop in one of the houses.

I parked. He walked over to my car. I asked for numbers while lodging a complaint that whenever I ask him for them, I never win. He starts telling me that it occurred to him that I might come home that day. As he tells me this, Bra Lucky passes by, and I ask him for a number. I think he mentioned 13. I don’t even know what it means, but I keep searching for loose change in the car, half embarrassed, half hopeful. I played along, knowing full well how this usually ends. “o mmone, Kenny?” my Dad asks if I have seen Kenny. Ntate Kenny is his best friend, and he points to the corner where the guy who fixes shoes is. I think my dad is old now because I haven’t driven past that spot yet. Anyway, I drive off and make sure to shout a greeting when I pass that spot.

He comes home, I ask if I had won, that time I don’t even remember my numbers, and he tells me that most people didn’t win and continues to explain how the mochina has played all of them, and that no one from his bag won. Even if his numbers don’t come up, but someone else does, there is a percentage that he gets, so you can imagine how it feels when even the other people do not win.

Later that day, after the formal greetings in the sitting room, I ask how he is, and he says he is ok. He had not been well, and I was travelling, so when I ask, I normally have a visual inspection of sorts to see if he is ok.

He then told me about an event they are going to that relates to the men’s forum. He has spoken about the forum before, and he normally tells me stories from there. Old men mostly. Pensioners. Men with time, memory, and regret. They sit together and talk about their lives. And often, they cry. This man’s forum is run by the local clinic.

It seems like this is something that they really look forward to as local men, not because they are weak. But because they finally have permission.

The stories are painfully similar. Men who were pushed out of their own homes. Men whose authority was steadily eroded until it disappeared. Men who watched their children grow up listening only to their mothers, not because the mothers were wrong, but because the fathers were sidelined, disempowered, or made irrelevant. Men who now look at their grown children and see struggle, confusion, anger, and failure. And they blame themselves. Mind you, these are men who, for the longest time they had to endure apartheid, being disrespected by young white men and women, calling them boy and all sorts of names.

This is where the conversation around men in our society becomes dishonest.

We talk endlessly about toxic masculinity. We talk very little about displaced masculinity. We speak loudly about men as problems, but quietly about men as casualties. In South Africa, especially, the dominant narrative paints men as irresponsible, violent, absent, or dangerous. Some men fit that description. Many do not. Yet all are judged by the same brush.

What happens when a man is told repeatedly that his role is unnecessary, suspect, or harmful?

He retreats.

He withdraws from decision-making. From discipline. From emotional investment. From responsibility. Sometimes he withdraws into alcohol. Sometimes into gambling. Sometimes into silence. Sometimes into forums where other broken men nod in recognition.

And then society acts surprised when children grow up without structure, without direction, without accountability. We talk about absent fathers without asking who pushed them out, who undermined them, or who taught them that their presence no longer mattered.

The men in these forums are not monsters. They are men who failed in environments that no longer knew what to do with them. Men who were never taught how to adapt their masculinity to changing social realities were only told that it was wrong. Men who were stripped of authority without being given a new role. Men who now carry the guilt of outcomes they had limited power to influence.

The pain cuts deeper when they speak about their children. Sons who drift. Daughters who struggle. Lives that never quite stabilise. The men internalise it as personal failure. The forum, meant to heal, often becomes a mirror reflecting everything they lost.

This is the uncomfortable truth. You cannot dismantle men’s role in society without consequences. You cannot weaken fathers and expect strong families. You cannot confuse masculinity and then blame men for being lost.

Being a man is not about domination. It is about responsibility. It is about presence. It is about guidance, protection, and sacrifice. When society attacks those foundations without offering alternatives, men do not become better. They become invisible.

And invisible men do not raise strong children.

If we are serious about fixing our social decay, crime, unemployment, and moral drift, we must stop having shallow conversations about men. We must stop reducing complex historical, economic, and cultural realities into slogans. We must create spaces where men are rebuilt, not shamed. Where fatherhood is reinforced, not questioned. Where masculinity is redefined with clarity, not contempt.

Those old men sitting in forums crying are not the end of the story. They are a warning.

Ignore them, and the next generation will sit in the same circles, with even less hope, even less structure, and even more resentment.

This is not about men versus women. It is about balance. About roles. About accountability. About restoring order in a society that has confused liberation with destruction.

When men lose their place, society does not become freer. It becomes weaker.

And we are already paying the price.

Hoba Monna (being a man) and the Quiet Weight Men Carry

Given SHINGANGE

Hoba Monna by Sannere featuring Selimo Thabang, Omali Themba, Flash Cortez, Wave Rhyder, Marcx Brass) 

I hesitated before writing and publishing this piece during the 16 Days of Activism for No Violence Against Women and Children, a period rightly dedicated to confronting gender based violence and the harm it causes. I am conscious that speaking about men’s struggles at this time can easily be misread as deflection, minimisation, or even quiet support for violence, as if acknowledging the weight men carry somehow denies the suffering of women. That fear of misinterpretation is real, and it says something important about the moment we are in. Yet silence is not neutrality. Avoiding honest reflection because it may be misunderstood only narrows the conversation further. This article is not an attempt to excuse harm or shift blame. It is an attempt to understand the human conditions under which many men are living, because without that understanding, the very violence we seek to end will continue to reproduce itself in quieter, less visible ways.

Sometimes a song does what public debates, campaigns, and opinion pieces struggle to do. It names a feeling without dressing it up. Hoba Monna does exactly that. It speaks plainly about what it feels like to be a man carrying responsibility in silence, and in doing so, it exposes a reality many men live but rarely articulate.

The title itself is revealing. Hoba monna means “to be a man”. Not to perform masculinity. Not to dominate. Simply to exist as a man. Yet from the opening hook, the song makes it clear that this existence has become exhausting.

“Ke fihletse boemong ba ho tsofala hoba monna, ke fihletse boemong ba ho utloa hore ho thata hoba monna.”

This is not exaggeration. It is accumulation. The repetition signals long term emotional fatigue, the slow wearing down that comes from expectation layered on top of expectation. Being a man, in this telling, is not dramatic. It is heavy.

Strength Without Space to Falter

In the first verse, the artist captures a contradiction many men experience early in life.

“People keep judging me, when I go weak, they forget I’m human and I also breathe.”

Men are permitted strength, but not struggle. The moment vulnerability appears, humanity is withdrawn. Weakness is treated as failure rather than as a normal part of being human.

Yet responsibility remains non negotiable.

“I gotta confide, I gotta provide in the process so my family can eat.”

There is no rejection of duty here. The pain comes from being expected to provide and endure without acknowledgement of cost. Men are required to function regardless of their internal state. When they do not, judgment follows swiftly. Pressure becomes personal rather than contextual. The man is blamed, while the conditions surrounding him remain invisible.

Becoming a Man Without Guidance

One of the quietest lines in the song is also one of the most revealing.

“And I wish my father could’ve shown me a hint.”

This is not accusation. It is absence speaking. It reflects the experience of many men who are expected to know how to be responsible, disciplined, and emotionally regulated without ever having seen those qualities modelled consistently.

Manhood is treated as instinctive rather than learned. When men struggle, the struggle is moralised instead of understood. Many men are navigating adulthood without maps, mentors, or reference points, while still being held to rigid standards.

Culture and the Discipline of Silence

The second verse, delivered in Sesotho, speaks directly to cultural training.

“Society e re rutile ho nka ka sefuba, ene re nke ka senna.”

Society taught us to take everything on the chest and take it as a man

This is not mockery of culture. It is description. Emotional restraint has long been framed as strength. Endurance as virtue. But the song does not romanticise this conditioning. It shows where it leads.

“Ho fihlela moo e ka reng kea khathala.”

Until the point where one becomes exhausted.

When pain has no outlet, it does not disappear. It accumulates. Silence does not build resilience indefinitely. It eventually produces numbness, withdrawal, or collapse.

Responsibility Without Support

One of the most important moments in Hoba Monna comes through a question that reveals imbalance.

“Ba re o hlokomele bana ba heno, empa nna ke hlokomelewa ke mang?”

They tell me to take care of my siblings, but who takes care of me?

This reflects a familiar reality in many African households. Men are expected to support siblings and extended family, to be stable, to be reliable, to carry others.

The follow up question sharpens the point.

“Ba re o ba loanele bana ba heno, empa nna ke loanela ke mang?”

They tell me to fight for my siblings, but who fights for me?

This is not self pity. It is recognition of imbalance. Responsibility flows outward. Care rarely flows back.

Smiling While Breaking

The final verse captures a reality many men live daily.

“Ke tlameha ke tsoe ke phande ke smile le batho kantle, ke robegile ka hare.”

I have to go outside hustle and smile with people, while I am broken inside.

This is not performance for praise. It is survival. In a society that responds harshly to male vulnerability, composure becomes armour. Smiling becomes a way to remain functional even while internally unraveling.

Why Hoba Monna Matters

Hoba Monna matters because it humanises men without excusing harm. It does not deny violence, irresponsibility, or failure. It asks a deeper question. What conditions produce men who are emotionally exhausted, silent, and disengaged?

Men carry pressures that are rarely named, let alone addressed. Economic strain. Cultural silence. Extended responsibility. Emotional isolation. None of these excuse destructive behaviour. Ignoring them guarantees its repetition.

Strength should not require emotional erasure. Responsibility should not require loneliness. Being a man should not mean carrying unbearable weight alone.

Hoba Monna is not asking for sympathy. It is asking for recognition. Recognition that men are human, that endurance has limits, and that silence is not the same as strength.

Sometimes music tells the truth long before society is ready to hear it.